ON THE COVER -
July Issue 2005

The American Eagle - Symbol and Treasure....by Robert Reed
At the height of the county's quest for independence and freedom from foreign domination, America's leaders selected the eagle as its national symbol. Historians note that the American eagle was officially adopted in June of 1782 by an act of the Continental Congress. It was a suitable choice. In writing suggestions earlier to the selection committee Philadelphia sculptor William Rush movingly endorsed the "elegant figure" of the eagle.

Q. Can you suggest an insurance “ballpark” value for a small wooden bench with a Brown Shoe Co., decal showing Buster Brown and his dog ? It is five feet long and fragile. I found it in a turn-of-the-century mercantile/hardware store in Angleton, Texas.

The Smell Test - Getting Good Advise...by Fred Taylor
Chicago is frequently referred to as America's "second city" although most Chicago residents probably don't feel that way. But where the subject of older furniture is concerned Chicago is often overlooked. New England is viewed as the bastion of so-called "real" antiques with Boston, Philadelphia, Newport and the like getting most of the glory for their 18th century treasures.

Lounsbury's 4th of July Postcard Sets....by Roy Nuhn
Of the more than 50 quality Independence Day sets of postcards published in the early years of the 20th century by two dozen or so American and European firms, none are more interesting or patriotic than those by Fred C. Lounsbury and his Crescent Embossing Company. As a young man, Lounsbury (1857-1917) spent nearly twenty years in the paper novelty business, mainly as a salesman, innovator and advertising specialist.

Q. In a paint store the other day the man in front of me was the owner of a sign painting business. When he got his order the clerk gave him a sheet called the "MSDS" and referred to it as the "safety sheet". When I got my order I asked if I got a "safety sheet" too and the clerk told me I didn't need one. What is a "safety sheet" and why did the business owner need one and I don't?

THE ANTIQUE DETECTIVE
Collecting Symbols of Liberty

Hardly had the ink dried on the newly signed Declaration of Independence, July 4, 1776, than artists, craftsmen and designers began using the new symbols of liberty in various ways. Even the American housewife, took whatever scraps were at hand to create quilts with stars and stripes and eagle motifs. Her husband often used the same symbols to decoratively carve humble objects such as bread boards and bowls.

Magical Music Boxes....by Maureen Timm
Nothing is as irresistible as a music box. Filled with the captivating charm of yesteryear, young and old alike know of its subtle, if not magical, powers and its ability to soothe, stir the senses, and evoke memories and emotions. The first simple musical movements were found in watches made in Switzerland in the 16th century and the invention of the first true music box in 1796 is credited to Antoine Favre, a Swiss watchmaker.

Collecting Nippon Porcelain....by Joan F. Van Patten
Psychologists tell us we're all collectors at heart, some to a greater degree than others to be sure, and once we start most of us find we're trapped into this predicament for life, we become addicted! "Collectoritis" is what I've termed this ailment, but make no mistake; most of us are not seeking an antidote nor do we wish to be cured. Some collectors are obsessive, compulsive and cannot stop. Many are even packrats. But I think that the "hunt" is almost as desirable to most people as the actual possession of a piece.

Dag Days....by Judy Penz Sheluk
“I’m not sure what fascinates me about daguerreotypes. Perhaps it’s because when I look at these pictures, for a few minutes, I’m transported into that world. For many people, this was their one and only photograph in their lifetime and now we have the privilege of sharing that special moment.” Gary Bart, collector. The daguerreotype is an early photographic process which used iodine vapors to sensitize plates of polished silver. The invention of French commercial artist Louis Daguerre, his discovery was France’s gift to the world in 1839.


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